Music

The relationship between Chuck Berry and Elvis Presley is one of the most complicated and least examined in the history of rock and roll. On the surface it looks simple: two foundational figures of the same musical revolution, operating in adjacent territory, sharing sources — the blues, the rhythm and blues tradition, the specific American … Read more

The relationship between a major artist and their record label is almost never a relationship between equals. The label controls distribution, marketing, the specific machinery that transforms a recorded piece of music from a private object into a public one. The artist controls the creation. And in the space between those two spheres of control … Read more

John Lennon was the most honest major public figure of his generation. Not the most diplomatic. Not the most strategic. The most honest. He had developed, possibly as a defense mechanism against the overwhelming unreality of his own fame, an almost compulsive commitment to saying the true thing even when the true thing was damaging … Read more

There is a version of yourself that the world knows and a version that exists when the world is not looking. For most people the distance between these two versions is manageable — a matter of degree rather than kind, the public self a somewhat more polished or more guarded version of the private one. … Read more

There are mornings that arrive after nights that should not have been survived. Nights so heavy with loss that the act of continuing — of breathing, of existing in time, of being a person in a world that has just done something irreversible — feels like an offense against the magnitude of what has happened. … Read more

December 8th, 1980. The news moved through the music world the way terrible news moves — in waves, person by person, each person absorbing it and then reaching for the phone because the absorbing required another person to absorb it with. John Lennon was gone. Shot outside his home in New York by a man … Read more

David Bowie’s relationship with his own work was one of the most complex and least sentimental in the history of popular music. He was not a man who clung to what he had made. The famous persona changes — Ziggy Stardust to Aladdin Sane to the Thin White Duke to the Berlin period and beyond … Read more

Neil Young has a complicated relationship with his own catalog. He is famously inconsistent about what gets released and what gets withheld, about what he considers finished and what he considers private, about the difference between music that belongs to the world and music that belongs to specific people or specific moments that the world … Read more

Tom Waits has always operated by a different set of rules than the music industry around him. Not as a pose — not as the calculated eccentricity of someone who has determined that unconventionality is a marketable position. But as the genuine expression of a man who has a specific relationship with music that has … Read more

Creative fear is a specific and unusual emotion. It is not the fear of failure — most artists know that fear well and have developed relationships with it that are functional if not comfortable. Creative fear is the fear that arrives when something has succeeded beyond the limits of your own comprehension. When you have … Read more