Five Motown Songs That Berry Gordy Said Were Too Dangerous to Release — And Changed America When He Finally Did
Berry Gordy built Motown Records on a specific philosophy of crossover appeal — music made by Black artists that was produced and presented in ways designed to reach a white mainstream audience that the American music industry of the early 1960s had constructed significant barriers against. The formula was deliberate: polished production, precise choreography, professional … Read more